Wall Murals of The Four Great Beauties of Ancient China in Singapore Simei estate 狮城邻里四美区集合中国古代四大美人的壁画
Some of Singapore’s ubiquitous HDB blocks have been jazzed up with interesting designs and murals, but this particular endeavour is quite unusual. I found these eye-catching wall paintings which recall different periods of Chinese history for residents of Simei estate. The word "Simei" means "four beauties" in Chinese. Indeed, when mentioning Simei, one tends to think of the Four Great Beauties: Xi Shi, Diao Chan, Yang Guifei, and Wang Zhaojun - legendary characters in Chinese classical literature.
According to local archives, the government had planned to name four roads in the estate as “Guifei Road”, “Diaochan Road”, “Xishi Road” and “Zhaojun Road”. Unfortunately these names are quite the tongue-twister for non-Chinese residents, and so they later settled for Simei Street 1, 2, and so on. Even though the authorities eventually did not name the roads here after the four beauties, you can find murals of them at the HDB void decks in Simei. Look beyond the beauty, the murals of the four beauties sitting at Simei HDB void decks have certainly altered the void decks scene by injecting this area with a little more culture and history.
我最近在本地染上了追 “壁画风”，到许多邻里社区拍摄祖屋底下的壁画。今天我就来到了东部的四美区，而且很意外地发现当年新加坡建成新镇 “四美”，是为了纪念中国古代四大美女的：西施、貂蝉、贵妃、昭君，各有不凡的气质。据说，在新加坡发展初期，确实是以四大美人的美人芳名命名街道的，更有温柔余韵，而且还能凸显社区的不同魅力。但对于不懂中文的人，实在过于拗口。于是，政府便依序以四美一街至四街重新命名，也就是：四美一街、四美二街、四美三街、四美四街等。在“组屋”底层，分别绘制了这四大美人的壁画。每幅壁画绘着美人半身像。贵妃把盏醉酒、貂婵月下焚香、昭君怀抱琵琶、西施纤手浣纱，画面栩栩如生，人物身份一目了然，别有韵味。
The four great beauties of ancient china are famous, or perhaps infamous, because they were able to influence emperors and kings, with whom they were involved. In some cases, they brought kingdoms, even dynasties, to their knees. For most of them, however, their lives ended in tragedy and/or mystery.
这古代四大美女都具有倾国倾城之美貌，但是，自古以来美人不胜枚举，为什么她们四个能位列 “四大美女”？其实，美貌只是其中一个原因，最重要的原因是，四大美女都不同程度地影响了时局，她们的男人权倾一时，而她们最终无一例外都成为男人的牺牲品。这四个女人的命运都很悲惨，人生以悲剧收场。如果用一个成语形容她们，“红颜薄命” 再合适不过了。
Yang Guifei was the favourite concubine of Tang Dynasty Emperor Xuan Zong. She enjoyed a life of extravagance. However, she eventually became a victim of courtly intrigue and was forced to commit suicide. Her legendary romance with Emperor Xuanzong inspire many writers to tell her story that last for centuries.
Diao Chan, was a character in the book, Romance of the Three Kingdoms. Unlike the other three beauties, however, there is no known evidence suggesting Diao Chan's existence; she is mostly a fictional character. Diao Chan plays an important role in the Romance of the Three Kingdoms. Her story, which is still well-known today, tells how two allies were so blinded by a pretty woman that they became enemies, one intent on destroying the other. She outwitted two conspirators who were plotting to overthrow the kingdom. Unfortunately, Diao Chan was put to death by surviving members of the enemies' clique.
Xi Shi was given to the Emperor of Wu by Emperor Gou Jian of Yue. While the Emperor of Wu was indulging in Xi Shi's beauty, Emperor Gou Jian conquered the state of Wu. Following the fall of Wu state, Xishi disappeared from public life. She lived in relative obscurity. Her story is unique in the history of China as no one has ever found fault with Xishi, even though she had caused the downfall of the state of Wu.
Wang Zhaojun has always been a tragic figure: a Han Dynasty court lady married off to a Chanyu (Khan) of the Xiongnu (Huns) who left her home and died in the far north. Perhaps this is because historically, a number of such women were so married in the interest of diplomacy.
These wall paintings at the Simei HDB void decks were put up effectively to retard the process of oxidation resulting from exposure to light and air. In addition to their artistic values, I feel that these paintings are today deemed as a treasure, containing not only the origin of the Simei estate in Singapore, but also extremely valuable information about the history of the four great beauties in ancient China, especially since their characters have been related in many books and movies for centuries. I consider these paintings priceless, and hope that they can continue attracting people to view them, both from the residents staying in Simei and residents in other estates.